The Windows and MacOS Version 1 build is live. The free tier is the full app.

The screen your band actually needs

The congregation screen is the wrong screen for the people playing. They need the chords, the key, how long is left and what is coming next, and none of that belongs in front of the room.

Editor to stage

Design it once. Two screens follow.

One slide, built once, ends up in front of two different audiences at the same time: the room reads the words, and the band reads a screen built for playing rather than watching. Neither one is an afterthought.

01Congregation screen

Design it once. The room sees it like this.

Built in the same app that projects it: type, shapes, symbols, photos and animations down one side; the gradient studio and background controls down the other; the song's sections along the bottom. Name a template once, and every song you add next week arrives wearing it.

The ChristChant slide editor: a 'Sunday Gathering' title slide on the canvas with its title selected and the text toolbar above it, and the presentation's eight slides along the bottom
What the congregation sees
A slide reading 'Sunday Gathering' with 'Worship · Word · Community' beneath it, over a magenta and teal motion background in the slide editor
  • Ninety-five gradient presets, or build your own in the gradient studio
  • App fonts that travel with the file, or any font installed on the machine
  • Verse, chorus, pre-chorus, intro, interlude and ending, laid out along the bottom
02The band's screen

The screen the room never sees.

The congregation gets the words. The band gets chords in their own columns, the current line and the next one, a running clock, and whatever the booth needs to tell them: a screen built for the people playing, not the people watching. Turn on Beat Light and the whole screen flashes red on the beat, read straight off the song's own BPM, so a drummer can hold tempo without hunting for a click track.

ChristChant running live: the assistant on the left, Amazing Grace in the preview and the live controller with each verse as a slide, the congregation screen and stage cues on the right, and the song library below
Chords, up close
Chords in columns above the lyrics on the actual stage display: G, G7 and C over 'Through many dangers, toils and snares', and G, Em, D over the next line
124 BPM /// Beat Light
  • Chord columns that hold their position over the lyrics, however they wrap
  • Current slide, what's next, a timer and the time, together on one screen
  • Seven art-directed designs, each fitted to song, Bible, slide, video and image
01

Chords, laid out properly

Musicians get a dedicated song canvas, so chord columns line up over the words instead of scattering.

02

Now, next and time left

The team layout carries the current slide, the one after it, and a timer together.

03

Metronome

A shared click with BPM and beats per measure, accenting the downbeat.

04

Director mic

Pick the input device and watch its level, without leaving the Team Sync panel.

The Ember song stage display: song title, artist and key in the header, the current slide in the NOW box, a timer and time in the corner, and a team message along the bottom
On the physical screenChords in columns above the lyrics on the actual stage display: G, G7 and C over "Through many dangers, toils and snares", and G, Em, D over the next line
01Song display

A canvas built for players, not for the room

The stage song view does not reuse the congregation template. It is its own display, deliberately bypassing the template renderer so chord placement is always correct: chords stay in their columns above the right syllables however the lyrics wrap.

  • Chord columns that hold their position over the lyrics
  • Song title, artist and key in the header
  • The key follows your transposition, in semitones
  • Pure-black stage dark or pure-white bright light, for the room you are in
The stage layout editor: a typography panel on the left, and a design picker of preset looks on the right, open on one of the seven built-in stage designs ready to customize
02Layout

Seven designs, or one you build yourself

The stage screen no longer starts as a grey box with zones in it. There are seven art-directed designs, Midnight Glass, Golden Hour, Velvet, Mono, Aurora, Ember and Sanctuary, and each one is fitted separately to every pipeline the stage can show: song, Bible, slide, video and image. Pick one and the screen is finished. Open it in the layout editor and it is a starting point rather than a template you are stuck with.

  • Seven designs, each fitted to five pipeline kinds: 35+ built-ins
  • Live content stays the largest thing on the screen, by construction
  • Clocks and timers size to their own box, so digits never clip
  • Every built-in opens in the layout editor as a starting point
The Ember Bible stage display: a plain 'Scripture' header instead of song fields, the current passage in the NOW box, and the same timer, time and message row every stage display carries
03Bible display

Scripture, without the song fields that do not apply

The Bible stage display drops the song-only fields rather than leaving them empty: no artist, no key, no section marker. What is left is the passage itself, a timer, the time, and what is coming next, so a reading gets a screen built for a reading rather than the song canvas with two labels blanked out.

  • A plain "Scripture" header in place of the song's title, artist and key
  • The current passage in the same NOW box every stage display uses
  • Timer, time and Up Next, same as the song display
  • The same team message row along the bottom as every stage display
The Ember slide stage display, titled Presentation, with a Notes block above the team message that the song and Bible displays do not have
04Slide display

A presentation gets a production note, too

A slide deck for a sermon or an announcement is not a song, so its stage display is not the song canvas with the labels changed. It carries a Notes block the song and Bible displays do not: a line the operator can leave for whoever is running the service, separate from the team message that everyone sees.

  • A "Presentation" header rather than a song or Scripture one
  • A dedicated Notes block, only on the slide display
  • Current and next slide together, same as every pipeline
  • The team message sits below the notes, not instead of them
The Ember video stage display, headed Now Playing, with a large remaining-time countdown in place of the current-slide box
05Video display

What matters during a video is how much is left

There is no Up Next block on the video display, because a video is not a set of slides to jump between: it is one thing playing. What replaces it is a countdown built into the display itself, sized to be read from the stage at a glance, so whoever is watching the room does not also have to watch a separate timer.

  • A "Now Playing" header instead of a song or slide title
  • Video remaining, counted down inside the main box itself
  • No Up Next block: a video is one item, not a queue
  • Time and a general timer still run alongside it
The Golden Hour image stage display: the image's name and its position in the deck (3 / 12) in the header, the current picture in the main box, and Up Next, Timer, Time and Message across the bottom
06Image display

Which picture, and how many are left

Nine more baptism photos to go looks different from one. The image display adds the picture's name and its position in the deck to the header, so whoever is driving the service knows exactly where they are in a set that might be forty photos long, without switching back to the booth machine to check.

  • The image's name and its position in the deck, e.g. 3 / 12
  • Up Next, so the following photo is visible before it is on air
  • Timer, time and the team message, same as every stage display
  • Its own design skin, independent of whatever the song display is using
The Team Sync panel beside the stage output: a running metronome at 128 BPM in 4/4 with an accented downbeat, and a director mic with device selection and a live input level meter
07Team Sync

More than a second screen

The stage screen lives in a Team Sync panel that also holds the things a service runs on between songs: the click, the talkback input, and a list of every phone currently paired to the service.

  • Metronome with BPM, beats per measure and an accented downbeat
  • Director mic with input-device selection and level monitoring
  • Connected devices, so you can see which phones are paired
  • All in one panel, next to the stage output itself

The stage screen is a Premium capability; it is not included on the Free plan. Opening the Team Sync output window is gated in the app itself, not just hidden in the interface. See pricing for the full split.

Questions

About this feature

No. It is included from Premium upward. The gate is enforced in the app's main process rather than only hidden in the interface, so it is a real plan boundary.

Get started

Try it before next Sunday

Start Premium trial

Free for 30 days with every Premium feature: stage screen, extra outputs and broadcast. No card, and you keep the app on the Free plan afterwards.

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